Apply the default alignment and fake double-track presets using RP’s AAX Audiosuite plug-ins for Pro Tools. When it comes to moving audio between RP and your DAW, you can:ġ. So unless you’ve inherited a project containing AIFFs, it makes sense to set your DAW to record broadcast WAVs (BWAV or BWF). While AIFFs can be time-stamped, the format isn’t standard across applications. RP can accept WAV/BWF or AIFF files, at 16-32 bit, 44.1-192 kHz, but it will always output time-stamped broadcast WAVs. You should also consider the audio file type. If using the plug-in-sync approach (which I’ll cover next month), change these settings before loading the plug-in, to avoid a timing offset on sync’ed playback. If all your projects typically have the same sample rate, frame rate, and project start time, save your changes as the default via File/Save As Default Session. Without aligning these, your audio won’t sync. Different DAWs default to different start times. If you’re using the same audio interface for both applications this should be set automatically, but there are rare scenarios in which you might be using separate interfaces. You must ensure the following settings match the equivalent ones in your DAW project: To start, load your DAW project, and in RP go to View/Settings.
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However you transfer audio between your DAW and Revoice Pro, you must ensure various project settings in Revoice Pro match those of your DAW.You must first ensure RP’s settings match those of your DAW. There’s a free 14-day demo (an iLok is required), which Synchro Arts say they’ll reauthorise once, giving you nearly a month’s trial before you buy. I also recommend acquainting yourself with the Glossary box! Finally, the current version at the time of writing is RP 3.2, which I’ve used throughout: it includes several features not present when Sam Inglis reviewed RP 3.0. The text and pictures give you all you need, but I’ll also provide some videos to help you get a feel for things. I’ll also suggest a few less obvious applications for RP! Later in the series, we’ll cover detailed edits, manual pitch and time correction, and various more advanced features. This month, I’ll also demonstrate how to apply and make simple tweaks to RP’s factory presets, and suggest some useful ways to organise your RP projects, to make auditioning and comparing results easier. Which approach you choose will vary according to your DAW, your workflow preferences and what you’re trying to achieve. RP includes some plug-ins but at heart it’s a stand-alone application, so I’ll start with an overview of the various ways you can set up RP to work with your DAW. To help you achieve the best results quickly and consistently, this short series will guide you step by step along that curve, helping you progress from RP virgin to power user. Not only is there new terminology for new users to get their heads around, but the array of options and possible workflows can seem almost bewildering at times. The only real ‘downside’ is the learning curve: while there’s instant gratification to be had via the presets, this is sophisticated software. When you dig a bit deeper, there’s potential for all sorts of creative manipulation of various instruments, not to mention the ability to make ADR sessions sound more natural. An obvious application is the tightening of stacked vocal doubles or harmonies, but the same algorithms can be used to fake very convincing doubles and harmonies. You can also make manual adjustments to pitch, time and formant, and while other tools can do that there’s a crucial difference: any adjustments you make to the Guide (see Glossary box) can dynamically update the processing you’ve done already.
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You could think of RP as Vocalign on steroids! It allows you automatically to map not only the timing, but also the pitch and ‘energy’ characteristics of one vocal part onto others. Synchro Arts Revoice Pro (from hereon ‘RP’) is a unique stand-alone program that, with familiarity, can be used with your DAW with almost plug-in-like ease. This uniquely powerful pitch, energy and time alignment software could save you hours of edits.